Garton, Robin.

British Printmakers – 1855-1955. A Century of Printmaking from the Etching Revival to St Ives.

Special Collector’s Edition / Limited to 25 copies with Suite/3 prints. Devizes, Garton & Co, 1992. 26 cm x 32.5 cm. 326 pages. 585 illustrations. Hardcover / Publisher’s original quarter-leather with green buckram boards and raised bands. Gilt lettering on spine. Top edge gilt. With original green-cloth slipcase. Including the additional folio-suite of 3 prints: 1. ‘Nude with Pillow’ woodcut by John Nash / 2. ‘Abstract Flower Design’ by Enid Marx / 3. ‘Old Tree’ by Reynolds Stone. Near fine condition. Very rare edition of a stunning volume, excellently presented.

Original Earl 20th century German Expressionism in Original Woodcuts – Mann, Thomas.

Der kleine Herr Friedemann.

München, Phantasus-Verlag, 1920. Quarto. [4], 58, [3] Seiten. Mit elf (11) ganzseitigen Original-Bleischnitten und vier (4) kolorierten Bleischnitt-Initialen von Otto Nückel. Hardcover / Originales Halbpergament. Einband minimal fleckig. Sonst in sehr gutem Zustand mit nur geringen Gebrauchsspuren.

[Calder, Alexander] Wilbur, Richard.

A BESTIARY – [One of 50 copies on luxurious Rives-mould, signed by Alexander Calder and Richard Wilbur].

New York, Printed at the Spiral Press for Pantheon Books, 1955. Folio (24 cm wide x 32.5 cm high). Original Hardcover / Half red morocco, beige buckram boards with gilt lettering on spine and gilt stamped illustration to front board. A very fine copy in the original board slipcase with very minor signs of shelfwear to the slipcase only. Spine very sightly sunned. A fantastic book with quotes from Yeats and Kafka and many other writers, illustrated by Calder!

[Ravilious, Eric] Shakespeare, William.

“Twelfth Night or, What You Will” by William Shakespeare – With Engravings by Eric Ravilious. With 29 wood-engravings by Eric Ravilious, printed in Grey and Maroon.

No.47 of a limited Edition of 275 copies on Batchelor Paper. Waltham Saint Lawrence, Berkshire, The Golden Cockerel Press, 1932. Folio (24.3 cm wide x 34 cm high). Pagination: Endpaper, (2), 41 leaves, (1), Endpaper. With 29 wood-engravings throughout. Hardcover / Original half-leateher, bound by Sangorski & Sutcliffe, with their bindery-stamp to pastedown. Binding wonderfully firm and cloth only slightly rubbed, else an excellent copy pf a very scarce book from the beloved Golden Cockerel Press.

Pierre, Frédéric.

Du Coin De L’Oeil La Pleine Lune. [With thirteen (13) stunning, original and signed erotic, colour-engravings]. Gravé et imprimé par Frédéric Pierre à l’atelier de l’été Juin – Septembre 1991. Texte par A. Kallur / C. Aldridge / F. Pierre.

Henley-on-Thames / Stockholm, Published by Artwenty, September 1991. Folio (31.3 cm wide x 41.4 cm high). (3), 27, (1) sheets of finest BFK Rives Velin Paper with deckled edges. Hardcover / Original blue cloth with gilt lettering on spine and ornament on board. Excellent, as new condition. No.10 of only 21 copies, signed by the artist. The entire edition of this artist-book comprised of 28 copies of which 7 copies were numbered in roman numerals from I – VII and accompanied by an original, unique and signed engraving [please enquire for one of the roman numbered editions]. This is one of the 21 copies without the additional engraving. EXTREMELY Rare !!!

Palmer, Brooke.

Descent to Atlantis

Acrylic on Canvas. Toronto, 2023. Canvas: 153 cm wide x 92 cm high. ‘Descent to Atlantis’ is one of the stunning signature works of Canadian artist Brooke Palmer. Here he is in his element. He grips you and shakes you and twirls you and twists you……like a flying object from outer space he takes you on a ride into the Abyss of emotions. Stand in front of it and enjoy the ride. “Descent to Atlantis”, is the third painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular.

Palmer, Brooke.

Harbingers of Springtime

Acrylic on Canvas. Toronto, 2023. Canvas: 122 cm wide x 122 cm high. ‘Harbingers of Springtime’ is one of the beautiful recent works of Canadian artist Brooke Palmer. In this painting, Brooke revisits his early stages of creating light and reflection of joy and curiosity which is already evident in his earliest work “Hudson River Reflections”. This new piece, “Harbingers of Springtime”, is the second painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular.

Palmer, Brooke.

Unfurling Heavenbound

Acrylic on Canvas. Toronto, 2023. Canvas: 153 cm wide x 92 cm high. ‘Unfurling Heavenbound’ is one of the remarkable recent works of Canadian artist Brooke Palmer. It is the first painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular. From conversations with the artist we know that all his latest work is inspired by exactly what the title of this painting promises, an unfurling of new emotions and the excitement for new beginnings, manifested in shapes and colour.

Palmer, Brooke.

The Wild Atlantic Way – [SOLD]

Epoxy resigned, circular Wood Panel. Toronto, 2023. Dimensions of Wood Panel: 44” (112 cm in Diameter, on 5 cm thick panel). ‘The Wild Atlantic Way’ is one of the latest works of Canadian artist Brooke Palmer, inspired by Ireland’s spectacular coastal Route of the same name. It is one of the paintings Brooke painted in the series of Art he has dedicated for the collaboration with ‘Inanna Modern’. What is incredible about this particular artwork is the resemblance to everything a personal trip along ‘The Wild Atlantic Way’ would encounter: Narrow Boreen’s with broad and spectacular views, the meeting of different characters reflected in the texture and feel of ocean and clouds, the four seasons in one day, the merry-go-round of life and the deep love we all feel for all shades of blue. With this remarkable piece, Brooke takes you on a journey along “The Wild Atlantic Way”. Come and pick up this memorable piece of Canadian-Irish-Art by from our little Gallery in the Southwest of this Celtic Land.

[Chester Beatty, Sir Alfred] Holme, Charles (Charles Rennie Mackintosh / Charles Voysey and others).

The Studio: an illustrated magazine of fine and applied art. Alfred Chester Beatty’s personal set of “The Studio”; 97 volumes bound in 69 books with the Register for Vols 1-29 [Lacking Volume 61]. With original artwork by James McNeill Whistler and other important artists of the Belle Époque and Art Nouveau Movement.

97 Volumes (bound in 69 Volumes). London, Offices of The Studio, 1893 – 1929. Quarto. c. 20000 pages with illustrations, photographs, original lithographs, engravings. Contemporary private Hardcover (Uniform deep blue buckram with gilt lettering on spinelabels). Very good condition with only minor signs of external wear. Only a few of the Volumes a little shaky. With the handwritten entry “A. Chester Beatty – 24 Kensington Palace Gardens – W. 8”.